I’m hardly an expert writer, and perhaps I’m overlooking some missing nuance. It’s not about liking or hating it-people like what they like, and this isn’t a judgement on anyone who is fine with the new plot. She seems to spring into our story like a fairy fully formed, and there is no real effort made to develop her at all. Eda’s life is otherwise devoid of color and life-no neighborhood friends or acquaintances, no backstory for her childhood. Melo fares the best, although much like Eda, she is boiled down to a few basic traits that don’t change. She at least gets a side plot with Engin where we can see her as more of a person than Fifi, who was basically never a character at all. Ceren we know has the desire to be a shoe designer and has a rich lawyer daddy.
Fifi, Ceren, and Melo don’t fare much better. The results were disappointing, but I give props to the writers for giving Ayfer some kind of plot beyond “the flower shop is suddenly in a monetary crisis”. She has no life beyond Eda and the girls, and it isn’t even until after Ayse is gone that we start to see hints of her maybe becoming a real character.
#Free essay grader tumblr series#
Ayfer begins and ends our series as a character who seems to be whatever the narrative requires-she has no real defining personality traits, and her backstory is nonexistent. Eda’s life is filled with people who are less characters and more set dressing for her story. The point is, Eda is still, even 39 episodes in, more a collection of traits than a fully realized character.Įven their family and friends. How long did she date Cenk? How did they meet? What did she hope for their future? We don’t know anything about her childhood or how she was raised, and we aren’t even that clear on her relationship with her aunt, since it vacillates from almost no guidance at all to extremely controlling and manipulative. Does she want her own company, is there a project she really wants or a company she would love to work for? We don’t really even know her feelings on relationships and marriage. We don’t know her long term goals other than graduate and get married. We don’t know how she got the scholarship in the first place (grades, essay, project, some combination?). We don’t know why she never pursued any other options when she lost her scholarship. We don't know why she wants to be a landscape architect, or what drew her to want to study in Italy. We don’t know how she met or knows either Ceren or Fifi. We don’t know if Eda actually knows/has met her grandmother after her aunt took her and left. We don’t know exactly why she blames her grandmother for their death. 40 minutes in and we had yet to meet the male lead, and it was then that I realized that’s it. It sort of crystallized for me when I was watching one of summer’s new show, Cam Tavanlar. It feels different, and I think that feeling has continued even with the return of the original writer. I don’t think anyone can deny that the new story follows a similar narrative “shift” that seems to have dominated the story since the 30s. Once we’d finished Ayse’s initial arc, it was clear we were moving into “plot” controlled territory, and that trend continued. The story has been a mess, arguably, since the early teens. Like it or hate it, I think we can all agree that the plot and direction of the show is strange. I’ve complained enough on my tumblr that I think it’s pretty obvious where I stand, but lately I’ve been thinking less about what I hate and rather why it doesn’t work. With SCK’s return in season 2 and this highly polarizing plot, I’ve seen a lot of talk and debate about plot and character and the direction of the show.
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